“God is dead… And we have killed him”, writes Nietzsche. But Paul Atreides, Muad'Dib, lives. Frank Herbert’s Dune novels have made a blockbuster return with Denis Villeneuve’s latest film adaptation featuring Timothée Chalamet. And where Dune returns, Nietzsche returns with it, and in particular, Nietzsche’s critique of the power of religion, writes Kevin S. Decker.

Frank Herbert’s Dune is a space opera treasure trove, and its sequels show it to also be a Pandora’s Box of long games and latent surprises. Director Denis Villeneuve’s latest adaptation of the Duniverse, released in 2021, allows us to explore so many things—survival, honor, deep ecology, strategy, weird psychic and physical capabilities, psychology, gender, prophecy, religion. In particular, it showcases how cultures retain traces we recognize despite their mutation over millennia—the stories of the great houses of the Landsraad, the Emperors, and the God Emperor unfurl over a jaw-dropping sixteen thousand years’ span of time.

Even that far in the future, the human race’s survival depends on whether they take advantage of what the past has sedimented in human nature and consciousness—group memories, rituals, responsiveness to the environment. Herbert’s focus on humans as historical beings parallels certain traditions of Western philosophy since Georg W.F. Hegel. His idealism and its later offshoots—existential phenomenology, existentialism, hermeneutics and pragmatism (among others) spotlights our categories for thinking about the world not as timeless, a priori features of minds like ours, but instead as things that have histories that we ignore at our peril.

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