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,Author
Guy Dammann
FollowGuy Dammann is the music critic of the Times Literary Supplement and writes on classical music for the Guardian. He is currently a researcher at the University of Uppsala, working on the history and meaning of music criticism.
Guy Dammann is the music critic of the Times Literary Supplement and writes on classical music for the Guardian. He is currently a researcher at the University of Uppsala, working on the history and meaning of music criticism.
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The Beautiful Universe
The Mystery of Music
Banksy and the Media Barons
Michelangelo vs Damien Hirst
Duchamp's Deception
Truth and poetry
The secrets of the uncanny
Seizing the Means of Production
The Emperor's New Art
Con Art
On Ugliness
Becoming Human
Beauty Bites Back
Music's Mystery
Life, Beauty and Being
American Surreal
Broken Beauty
The Best is to Come
What is the Power of Art?
Art as gossip
Dying for Dior
Nicolas Roeg
On the Air with Annie Nightingale
Art and the Artful
The Good, the Bad and the Artist
Is Beauty Back?
The naked truth
The Limits of Art
Art Couture
Reinventing Film
The Emperor's New God
Of Wonder and Terror
The Schlock of the New
The Screen Age
Verses for Eternity
A Wonder Full World
Blowing in the Wind
Time and Tate
The New Beautiful
The art of activism
Hitler's Art War
Taking Over the Gallery
Yes, It Really is Beautiful!
Pollock on Pollock Squared
The Cinema of Ideas
Abstract Graffiti
New British Art Double-Bill
Maps of Mystery
Six Billion Characters in Search of an Author
The View From Outside
More Articles
Poetry and the Transmission of Errors
Myth and Modernity
Truth and Imagination
In Praise of Sci-Fi
High Irony
We are the Disaster
Language at the End of the World
Off Peak Dreams
Against History: A Lesson from Simone Weil
Beard vs Taleb: Scientism and Historical Inquiry
Sincerity and Superstars
Kierkegaard's Existential Lover
Why Do We Fall in Love With Fictional Characters?
Laughing and Crying About the Second World War
Spirited Away with Heidegger
Listening to Aesop’s Animals
Life As a Work of Art
What's Your Story?
What is Afrofuturism?
Beckett's Political Imagination
How We Think of Our Lives
On Rationality and Nonsense
Styling the self
Coleridge and the unconscious
We are all tyrants
Nature is a jazz band, not a machine
Beauty is not just subjective
The new world of metamodernism
Life is a squid game
Life is not a squid game