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Noah Lazarides

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Noah Lazarides is a contributing editor at the Institute of Art and Ideas.

Noah Lazarides is a contributing editor at the Institute of Art and Ideas.

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An open book with intricately cut pages, showcasing detailed patterns and textures created by the cutouts in the paper.

Poetry and the Transmission of Errors

A surreal landscape featuring a floating island with lush greenery and waterfalls cascading into darkness, set against a dramatic sky filled with storm clouds.

Myth and Modernity

Two hands forming a frame against a blue sky and grassy field, creating a visual focal point in nature.

Truth and Imagination

A surreal landscape featuring a large, gnarled tree amidst a vibrant, swirling yellow and orange background, with two figures standing nearby.

In Praise of Sci-Fi

A white cat perched on a tree branch amidst bare branches, with a cloudy sky in the background.

High Irony

A diptych of two monochrome images of houses, showcasing contrasting shadows and lighting on their facades.

We are the Disaster

A long, dimly lit tunnel with curved metal walls, featuring concrete flooring and a single figure walking down the corridor.

Language at the End of the World

A man with a bald head and glasses stands against a blue sky, wearing a dark coat and a turtleneck.

Off Peak Dreams

A historical black-and-white photo of a woman wearing a military-style outfit and glasses, with a rifle slung over her shoulder, suggesting involvement in a conflict.

Against History: A Lesson from Simone Weil

A stylized animated family portrait featuring a man in traditional attire, a woman in a toga, and two children, set in an ancient-themed background.

Massimo Pigliucci

Beard vs Taleb: Scientism and Historical Inquiry

A woman with long braided hair and a luxurious fur coat poses in the window of a classic car, showcasing an elegant style.

Jeanette Bicknell

Sincerity and Superstars

A bouquet of dried flowers, including yellow roses and small white blooms, placed against a weathered gravestone with inscriptions.

Kierkegaard's Existential Lover

A woman in a red gown stands on a snowy train platform, with a vintage train in the background and two men observing her.

Catherine Brown

Why Do We Fall in Love With Fictional Characters?

A large crowd marches in a parade, holding portraits of historical figures, with flags in the background, near the Kremlin in Moscow.

Catherine Brown

Laughing and Crying About the Second World War

A young girl with short brown hair in a green and white striped shirt stands next to a large, ethereal dragon against a night sky.

Edward McDougall

Spirited Away with Heidegger

Close-up of a red fox with a thick, orange fur coat and subtle facial features, set against a snowy background.

Jeremy Lefkowitz

Listening to Aesop’s Animals

A person in a flowing red skirt walks past a large, colorful abstract painting featuring vibrant greens, yellows, and blue brushstrokes.

Life As a Work of Art

A surreal image featuring three overlapping silhouettes of a person standing in a park, with vibrant green and pink hues dominating the scene.

Lisa Bortolotti

What's Your Story?

A man in sunglasses sits confidently in a red leather chair, surrounded by a backdrop of cascading green digital code reminiscent of

What is Afrofuturism?

Close-up portrait of an elderly man with weathered skin and silver hair, showcasing deep facial lines and an intense gaze. The image has a reddish tint.

Beckett's Political Imagination

A contemplative young woman gazes through horizontal wooden blinds, resting her chin on her hand with a thoughtful expression.

How We Think of Our Lives

A person in a hat bends down to feed birds, with several birds gathered around them pecking at the ground.

On Rationality and Nonsense

A person using a typewriter in a room decorated with photos, focused on a colorful pop-up scene displayed in front of them.

Styling the self

A hand holding a crystal ball reflecting a sunset landscape, featuring a road and fields under a colorful sky.

Coleridge and the unconscious

A surreal painting depicting a man in a bowler hat walking towards a mirrored corridor, creating an infinite reflection effect.

Simon Critchley

We are all tyrants

A robotic hand gently holds a small green plant, symbolizing the intersection of technology and nature against a bright blue background.

Nature is a jazz band, not a machine

A close-up of two hands: one giving a thumbs up on a green background and the other giving a thumbs down on a red background.

Beauty is not just subjective

An abstract painting featuring dynamic blue and turquoise waves, with angular shapes and pops of red, evoking a sense of movement and emotion.

The new world of metamodernism

Three pieces of round, golden dough with different shapes imprinted on them: a triangle, a star, and a crescent, arranged on a wooden surface.

Edward Castronova

Life is a squid game

Golden, round and star-shaped pancake batter on a griddle, showcasing a textured surface with bubbles and a rustic cooking environment.

Life is not a squid game