Jasper Fforde is a best-selling novelist who rose to prominence on the back of his 2001 debut novel, The Eyre Affair, which unleashed a time-travelling detective named Thursday Next into the unsuspecting world of Charlotte Bronte's Jane Eyre. Since then, Fforde has written seven books in the same series, each one characterised by a playful approach to literary allusion, as well as several other novels and short stories.

As a new scientific study into the function of irony has been published in the Journal of Experimental Psychology, we spoke to Fforde about the importance of irony in his work, and what science can (or can't) offer to our understanding of literature.

How central is irony in your own work?

Using irony is something I do a lot, but it never occurs to me to think: “hah, this is ironic” when I am writing; I simply write what I think will be of interest, and strive to amuse and engage the reader. Irony, pathos, inferred narrative, foreshadowing, intertexuality: yes, terrific – but when writing, the labels evaporate, the same way as a mechanic will be thinking about the reluctant bolt, and not the fact that he's using a spanner to undo it.

Is it possible to draw a rigorous line of delineation between the ironic and the literal?