A 250 cm line tattooed across the back of 6 poor Cubans living in the slums is a clear sign of exploitative art. Art seems to take cruelty and exploitation beyond the aim to shock reducing it to an expression of neoliberal indifference to the poor. Rather than this Amelia Watts argues a Utilitarian analysis of the art demonstrates that this cruelty is effective at progressing the conversation, concluding that art shouldn’t care about your morals.