Art that is grounded in close observation of the everyday – think grey-washed British films, the flawed characters formed in gritty cities and ‘ kitchen sink’ paintings – has much to recommend it. Lukács, the Hungarian philosopher and critic, contrasted it favorably to the unchanging, noble heroes of modernist novels. He noted especially its truthful depiction of the relationship between the human subject and the outside world. But this view of realism stemmed from a particular moralistic purpose– an unacceptable constraint in both art and life, writes Thomas Leddy.
Join the conversation