Film director Mike Figgis, whose Leaving Las Vegas was nominated for two Oscars, has since worked at the cutting-edge of digital film on projects including Timecode and Suspension of Disbelief. Below, he talks about the close links between truth and imagination and why the search for truth is an impossible journey.

To what extent do you think that imagination is the route to truth about the human condition?

It would be hard to envisage any concept of truth without the concept of imagination. Truth is a rather ephemeral, personal and malleable commodity or concept, therefore the debate about truth requires a very fertile discussion about imagination. In a way they are synonymous with each other.

Do you think we imagine the truth or do we just imagine ways to the truth?

Well, how do you define truth?

That’s an interesting question. Many philosophers would argue that there isn’t one. Is that your position?

No, I don’t think that at all. I asked you what your position on truth was and you quoted someone else. What do you think truth is?

Personally, I don’t believe in any kind of external truth. I believe in truth as agreement between people, something reached through logic on aligned premises, but I don’t think there are externally truthful premises on which we can build.

I would say that the definition of truth at any given moment is the result of shifting forces, and that the use of imagination to engage with this constant shift can momentarily give you a glimpse at a truth or an indication of what a truth might be. You can’t arrive at a truth; we are obsessed with the idea of searching for truth, which gives meaning to our lives and all the rest of it.